The Art of Pixar
Amid Amidi - 2011
From classics such as Toy Story and A Bug's Life to recent masterpieces such as Up, Toy Story 3, and Cars 2, this comprehensive collection offers a behind-the-scenes tour of every Pixar film to date. Featuring a foreword by Chief Creative Officer John Lasseter, the complete color scripts for every film published in full for the first time as well as stunning visual development art, The Art of Pixar is a treasure trove of rare artwork and an essential addition to the library of animation fans and Pixar enthusiasts.
Saul Bass: A Life in Film and Design
Jennifer Bass - 2011
With more than 1,400 illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusiasts have been eagerly anticipating. Saul Bass (1920-1996) created some of the most compelling images of American post-war visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man with the Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick's Spartacus in the early 1960s to Martin Scorsese's Cape Fear and Casino in the 1990s. Designed by Jennifer Bass, Saul Bass's daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of images from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century.
Alien Vault: The Definitive Story of the Making of the Film
Ian Nathan - 2011
From the gore of the infant alien bursting from Kane’s chest to the mounting claustrophobia as Ripley discovers the monster has followed her into the escape shuttle, Alien is a chilling masterpiece.Now, Alien Vault: The Definitive Story of the Making of the Film opens a portal into the making of this legendary film, tracing its path from embryonic concept to fully fledged box office phenomenon.Featured herein are director Ridley Scott’s own annotated storyboards, Polaroids and script pages; the elegant but disturbing concept artwork of H.R. Giger; sketches and construction blueprints for the Nostromo; costume designs by Moebius; a treasure trove of never-before-seen photographs of the cast and crew; and ten meticulously reproduced artifacts, enclosed in vellum envelopes, for readers to remove and examine more closely.Fully authorized and illustrated throughout, Alien Vault is the ultimate tribute to a movie that changed cinema forever.
The Cabin in the Woods: The Official Visual Companion
Joss Whedon - 2011
It's a little more complicated than that..." All will be revealed in the Official Visual Companion, featuring in-depth interviews, the full screenplay by Whedon and Goddard, stunning production art, and hundreds of color photos!
Monsters in the Movies
John Landis - 2011
He also surveys the historical origins of the archetypal monsters, such as vampires, zombies, and werewolves, and takes you behind the scenes to discover the secrets of those special-effects wizards who created such legendary frighteners as King Kong, Dracula, and Halloween's Michael Myers. With more than 1000 stunning movie stills and posters, this book is sure to keep even the most intense fright-seekers at the edge of their seats for hours!
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a Pro
Steve Stockman - 2011
It’s about the language of video and how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work just as well when shooting a two-year-old’s birthday party on your phone. Written by Steve Stockman, the director of the award-winning feature Two Weeks, plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn’t Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience. In other words, how to shoot video people will want to watch. Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of video production: framing, lighting, sound (use an external mic), editing, special effects (turn them off!), and gives advice on shooting a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you’ve learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Steve’s website (stevestockman.com) provides video examples to illustrate different production ideas, techniques, and situations, and his latest thoughts on all things video.
JAWS: Memories from Martha's Vineyard
Matt Taylor - 2011
Among this virtual army of hometown participants were numerous professional and amateur photographers, each with full access to the production’s inner workings—for the first time ever this compiles their behind-the-scenes photographs and stories into a treasure trove of Jaws rarities. Included are a foreword by director Steven Spielberg, interviews with production designer Joe Alves, screenwriter Carl Gottlieb, location casting director Shari Rhodes, and more, providing an unprecedented all-access pass to the creation of some of the most memorable and terrifying scenes in film history. This unique compendium is the first to focus on the production’s local participants, telling their stories at last.
Conversations with Scorsese
Richard Schickel - 2011
Here is a rare and wonderfully insightful chance to experience all of these films, and the history and process of moviemaking in general, through the words and wit of the master director. Richard Schickel’s canny and intelligent interviews guide us through Scorsese’s life and work, from the child who escaped the realities of Little Italy in the 1950s through movies to the man whose increasingly encyclopedic knowledge of film shaped his ambitions and art. Scorsese reveals which films are most autobiographical and which have been forays into unknown territory in content or aesthetics. He talks about his lesser-known movies, those already considered classics, his documentaries, and his influences. He explains his personal style, the close attention he pays to detail, and his attraction to genre films. And he discusses what being a lifelong student of film has taught him about acting, directing, music, and camerawork, among many other topics. The result is a vivid, immensely enlightening history of modern Hollywood seen through the eyes of one intrepid filmmaker. We see audiences’ expectations tested by what Scorsese was willing to put on the screen in explorations of prostitution, institutionalized violence, and religion. We see the unavoidable frustrations and exhilarating rewards of filming live concerts for The Band and at Woodstock. And we see many of the rewarding artistic and personal relationships of Scorsese’s career, including collaborations with Robert De Niro, Harvey Keitel, Jack Nicholson, and Leonardo DiCaprio. An invaluable appreciation of one of our most admired film directors.
Harlow in Hollywood: The Blonde Bombshell in the Glamour Capital, 1928-1937
Darrell Rooney - 2011
Scene 2: Hollywood creates Jean Harlow.Scene 3: Her legend lives forever.At last, the story of how Hollywood shaped a myth and determined a young woman's reality. A town, a remarkable town, became the backdrop for one of Hollywood's most incredible stories, a life rife with glamour, pleasure, power, and--in the end--utter sorrow. Her story lives in the pages and breathtaking pictures of Harlow in Hollywood. When Jean Harlow became the Blonde Bombshell, it was all Hollywood's doing. She was the first big-screen sex symbol, the Platinum Blonde, the mold for every famous fair-haired superstar who would emulate her.
Thomas E. Wartenberg - 2011
This is the first book to explore the varied philosophical aspects of the film. Beginning with an introduction by the editor that places the film and essays in context, each chapter explores a central theme of Fight Club from a philosophical perspective. Topics discussed include:Fight Club, Plato's cave and Descartes' cogito moral disintegration identity, gender and masculinity visuals and narration.Including annotated further reading at the end of each chapter, Fight Club is essential reading for anyone interested in the film, as well as those studying philosophy and film studies.
Drew Struzan: Oeuvre
Drew Struzan - 2011
This sumptuous hardcover edition, with a foreword by George Lucas, features over 250 pieces of artwork, including all of Drew's most iconic movie images, as well as other highlights from his career, including album, book and comic book covers, stamps, trading cards, promotional artwork and very personal original works. The book comes right up to date, including exclusive San Diego Comic-Con poster art produced for The Walking Dead (2010) and Cowboys & Aliens (2011), with text by his wife Dylan, providing an intimate look at the man and his legacy. The definitive collection of Struzan's work; this is an absolute must-have for any movie buff and an unrivalled slice of both art and cinema history.
Midnight in Paris: The Shooting Script
Woody Allen - 2011
Taking place in Paris, the film follows Gil Pender, a screenwriter, who is forced to confront the shortcomings of his relationship with his fiancée and their divergent goals, which become increasingly exaggerated as he travels back in time each night at midnight. The movie explores themes of nostalgia and modernism.
Nightmare Movies: Horror on Screen Since the 1960s
Kim Newman - 2011
In this new edition, Kim Newman brings his seminal work completely up-to-date, both reassessing his earlier evaluations and adding a second part that assess the last two decades of horror films with all the wit, intelligence and insight for which he is known. Since the publication of the first edition, horror has been on a gradual upswing, and taken a new and stronger hold over the film industry.Newman negotiates his way through a vast back-catalogue of horror, charting the on-screen progress of our collective fears and bogeymen from the low budget slasher movies of the 60s, through to the slick releases of the 2000s, in a critical appraisal that doubles up as a genealogical study of contemporary horror and its forebears. Newman invokes the figures that fuel the ongoing demand for horror - the serial killer; the vampire; the werewolf; the zombie - and draws on his remarkable knowledge of the genre to give us a comprehensive overview of the modern myths that have shaped the imagination of multiple generations of cinema-goers.Nightmare Movies is an invaluable companion that not only provides a newly updated history of the darker side of film but a truly entertaining guide with which to discover the less well-trodden paths of horror, and re-discover the classics with a newly instructed eye.
The Age of Movies: Selected Writings
Pauline Kael - 2011
Kael called movies "the most total and encompassing art form we have," and she made her reviews a platform for considering both film and the worlds it engages, crafting in the process a prose style of extraordinary wit, precision, and improvisatory grace. To read The Age of Movies, the first new selection in more than a generation, is to be swept up into an endlessly revealing and entertaining dialogue with Kael at her witty, exhilarating, and opinionated best. Her ability to evoke the essence of a great artist-an Orson Welles or a Robert Altman-or to celebrate the way even seeming trash could tap deeply into our emotions was matched by her unwavering eye for the scams and self-deceptions of a corrupt movie industry. Here in this career spanning collection are her appraisals of the films that defined an era-among them Breathless, Bonnie and Clyde, The Leopard, The Godfather, Last Tango in Paris, Nashville-along with many others, some awaiting rediscovery, all providing the occasion for masterpieces of observation and insight, alive on every page.
Setting the Scene: The Art & Evolution of Animation Layout
Fraser MacLean - 2011
Animation fans and students can finally take a behind-the-scenes peek at the history of layout, the process by which artists plot scenes and stitch together the many elements of animated works. With in-depth text by veteran animator Fraser MacLean, this extraordinary book features previously unpublished art from major studios archives including Warner Bros., Pixar, Walt Disney, and more as well as interviews with some of the biggest names in animation and a foreword by Academy Award winning director Pete Docter. From the genre's earliest pioneers to the digital world of contemporary cinema, Setting the Scene provides an enchanting journey into the history of animation.
Not Bad For A Human
Lance Henriksen - 2011
He's best know as the empathetic android Bishop in Aliens and the intuitive criminal profiler Frank Black in the TV seres "Millennium," but he has also played gunfighters and gangsters, an astronaught, a vampire, a sadistic monk, Charles Bronson and Abraham Lincoln. He's mentored Tarzan, Evel Knievel and the Antricrhist, and fought Terminators, Aliens, Predators, Pinhead, Bigfoot, Superman, the Autobots, Mr. T, Jean Claude Van Damme and Steven Seagal. He's worked with directors James Cameron, Steven Spielberg, Kathryn Bigalow, Walter Hill, Sidney Lumet, Francois Truffaut, John Huston, David Fincher, John Woo, Jim Jarmusch and Same Raimi... But this is just skimming the surface.Henrickson is a true artist - a painter, a potter and a creative collaborator who brings complexity and humanity to all of his work by drawing on real life experiances that are often stranger than fiction. His biography not only celebrates the actor's screen persona, film by film, but also recounts the chaotic upbringing and early life experiances that shaped him _ revealing the man behind the image. As Lance so candidly states, "This isn't just a book about me becoming an actor. It's about all the people I've crossed paths with over the years who have helped me flourish in spite of the chaos in my early life. It's about a lifelong process of becoming a human being."
Aurora The Perfect Party
Wendy Loggia - 2011
But it's not just any party--it's a secret celebration in honor of the fairies, Flora, Fauna and Merryweather. Aurora has to sneak out of the castle to gather all of their favorite things to include in the celebration.
Industrial Light & Magic: The Art of Innovation
Pamela Glintenkamp - 2011
Its tale begins with a small team of craftspeople, engineers, and artists who pioneered analog effects that had never before been attempted or realized on the screen for Star Wars. Industrial Light & Magic continues their story through the effects facility’s mind-bending work, over the following three decades, on more than three hundred films—from optical printing to the digital and computer-generated-effects era. A behind-the-scenes record of the state-of-the-art innovations that have driven moviemaking magic, the book features candid stories from the filmmakers, artists, and technicians who were there, breaking barriers and changing the history of cinema with their early work on cultural landmarks, such as the Star Wars saga, the Indiana Jones series, E.T., Terminator 2, and Jurassic Park. Industrial Light & Magic: The Art of Innovation is the first and only book to focus on the company’s work during the last sixteen years, detailing its creative and technological innovations on dozens of blockbuster films. Through firsthand accounts of the problem solving that has pushed the art form of visual effects to its limits and created visual experiences that could only have been dreamed of in the past, the book features extensive commentary by George Lucas, Dennis Muren, John Knoll, Scott Farrar, Roger Guyett, Ben Snow, Rob Coleman, Lorne Peterson, and many others. Their accounts are supplemented by more than 400 images from many of ILM’s breakthrough movies, such as the Pirates of the Caribbean trilogy, Transformers, Iron Man, and the Star Wars Prequel Trilogy, offering a crash course on the most groundbreaking visual effects created today. Praise for Industrial Light & Magic: “If you loved the movies, chances are good you’ll love this book.” —Georgia Times-Union
The Hammer Vault
Marcus Hearn - 2011
Hundreds of rare and previously unseen stills help to create a rich souvenir of Hammer’s legacy, from the X certificate classics of the 1950s to the studio’s latest productions. Written and compiled by the official Hammer Films historian Marcus Hearn, and featuring exclusive contributions from the actors and filmmakers associated with the company, this is the most lavish book ever published on the legendary House of Horror. Highlights include: - Letters to and from some of the company's stars - Pages from Peter Cushing's scrapbooks - Pages from the scrapbook of managing director Michael Carreras - Pre-production artwork, and poster artwork from films that were never made - Production designs - Rare and previously unpublished photos
Leonard Maltin's 2012 Movie Guide
Leonard Maltin - 2011
For more than forty years, generations of movie lovers have relied upon Leonard Maltin to help them decide what to watch. Comprehensive, trustworthy, and the most established guide on the market, Leonard Maltin's 2012 Movie Guide includes:More than 10,000 DVD and 14,000 video listings An updated index of leading performers and an index of leading directors Old and new theatrical and video releases rated **** to BOMB Reviews of little-known sleepers, foreign films, rarities, and camp classics All-new personal recommendations for movie lovers And sources for buying and renting DVDs
John Waters: Interviews
James Egan - 2011
1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Bu-uel and Salvador Dali's Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition.Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy Pink Flamingos. This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters's early films, his star Divine would consistently challenge gender definitions.With Polyester, Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough, Hairspray, told the story of Baltimore's televised sock-hop program, The Corny Collins Show, and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town.From Serial Mom and Pecker to Cecil B. Demented, Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004, which was shown at galleries around the world.
When Movies Mattered: Reviews from a Transformative Decade
Dave Kehr - 2011
If you love movies—and the writers who engage them—and just happen to have followed two of the highest circulating daily papers in the country, then you probably recognize the name of the intellectually dazzling writer who has been penning pieces on American and foreign films for over thirty years. And if you called the City of the Big Shoulders home in the 1970s or 1980s and relied on those trenchant, incisive reviews from the Chicago Reader and the Chicago Tribune to guide your moviegoing delight, then you know Dave Kehr. When Movies Mattered presents a wide-ranging and illuminating selection of Kehr’s criticism from the Reader—most of which is reprinted here for the first time—including insightful discussions of film history and his controversial Top Ten lists. Long heralded by his peers for both his deep knowledge and incisive style, Kehr developed his approach to writing about film from the auteur criticism popular in the ’70s. Though Kehr’s criticism has never lost its intellectual edge, it’s still easily accessible to anyone who truly cares about movies. Never watered down and always razor sharp, it goes beyond wry observations to an acute examination of the particular stylistic qualities that define the work of individual directors and determine the meaning of individual films. From current releases to important revivals, from classical Hollywood to foreign fare, Kehr has kept us spellbound with his insightful critical commentaries. When Movies Mattered will secure his place among our very best writers about all things cinematic.
Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno
Miriam Bratu Hansen - 2011
Adorno—affiliated through friendship, professional ties, and argument—developed an astute philosophical critique of modernity in which technological media played a key role. This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960s. Miriam Bratu Hansen brings to life an impressive archive of known and, in the case of Kracauer, less known materials and reveals surprising perspectives on canonic texts, including Benjamin’s artwork essay. Her lucid analysis extrapolates from these writings the contours of a theory of cinema and experience that speaks to questions being posed anew as moving image culture evolves in response to digital technology.
Performing Remains: Art and War in Times of Theatrical Reenactment
Rebecca Schneider - 2011
It extends and consolidates her pioneering contributions to the field through its interdisciplinary method, vivid writing, and stimulating polemic. Performing Remains has been eagerly awaited, and will be appreciated now and in the future for its rigorous investigations into the aesthetic and political potential of reenactments.' - Tavia Nyong'o, Tisch School of the Arts, New York University'I have often wondered where the big, important, paradigm-changing book about re-enactment is: Schneider's book seems to me to be that book. Her work is challenging, thoughtful and innovative and will set the agenda for study in a number of areas for the next decade.' - Jerome de Groot, University of ManchesterPerforming Remains is a dazzling new study exploring the role of the fake, the false and the faux in contemporary performance. Rebecca Schneider argues passionately that performance can be engaged as what remains, rather than what disappears.Across seven essays, Schneider presents a forensic and unique examination of both contemporary and historical performance, drawing on a variety of elucidating sources including the "America" plays of Linda Mussmann and Suzan-Lori Parks, performances of Marina Abramovic� and Allison Smith, and the continued popular appeal of Civil War reenactments. Performing Remains questions the importance of representation throughout history and today, while boldly reassessing the ritual value of failure to recapture the past and recreate the "original."
Silent Visions: Discovering Early Hollywood and New York Through the Films of Harold Lloyd
John Bengtson - 2011
From Coney Island to Catalina Island and from Brooklyn to Beverly Hills, Lloyd’s timeless movies reflect visions of early 20th-century America unequalled on the silver screen and exemplified in the historical settings found in such classics as Safety Last, Girl Shy, The Freshman, and Speedy. Tracing Lloyd’s career from his early work to owning and operating his own studio, this account illuminates Lloyd’s mastery of his oeuvre—an actor and director more popular than Keaton, more prolific than Chaplin, and who sold more tickets than any other comedian of his era, as well as a comedic genius whose expert staging and editing have influenced films for decades.
The Art of Thor
Matthew K. Manning - 2011
Directed by Kenneth Branagh (Henry V, Harry Potter and the Chamber of Secrets) and starring Chris Hemsworth (Star Trek), Natalie Portman (Star Wars) and Academy Award Winner Anthony Hopkins (Silence of the Lambs), THOR promises to be one of 2011's biggest blockbusters, continuing the story set up in IRON MAN, IRON MAN 2 and THE INCREDIBLE HULK, and leading into THE FIRST AVENGER: CAPTAIN AMERICA and THE AVENGERS.
The Best Years of Our Lives
Sarah Kozloff - 2011
Moreover, with its emphasis on soldiers returning from war with post-traumatic stress syndrome, facing an uncertain economic climate, and strained domestic lives, the film speaks with emotional power directly to contemporary issues, including the devastating injuries and insecurites faced by soldiers returning home from combat in Afghanistan and Iraq today. Among the topics discussed are American neorealism, aesthetics, war and homecoming, and more.
Sixties Shockers: A Critical Filmography of Horror Cinema, 1960-1969
Mark Clark - 2011
During those tumultuous years horror cinema flourished, proving as innovative and unpredictable as the decade itself. Representative titles include Night of the Living Dead, The Haunting, Carnival of Souls, Repulsion, The Masque of the Red Death, Targets and The Conqueror Worm. An historical overview chronicles the explosive growth of horror films during this era, as well as the emergence of such dynamic directorial talents as Roman Polanski, George Romero, Francis Ford Coppola and Peter Bogdanovich.
Noir City Sentinel Annual #3
Eddie Muller - 2011
272 pages of essays, interviews, profiles, tributes, and reviews of classic and modern film noirs, illustrated with exceptional photographs. This volume includes some of the best features from the 2010 NOIR CITY SENTINEL, as well as new never-before-seen material. Included are pieces from Eddie Muller, Foster Hirsch, Megan Abbott, Alan Rode, Don Malcolm, Marc Svetov, Will Viharo, and many more
A Clockwork Orange
Peter Krämer - 2011
Film and novel tell the story of an extremely violent teenager who allows himself to be subjected to aversion therapy (making him unable to indulge his violent and sexual impulses) so as to get out of prison; he then becomes the target of violent attacks and political manipulation which in turn culminate in the removal of his psychological conditioning. Drawing on new research in the Stanley Kubrick Archive at the University of the Arts London, Krämer's study explores the production, marketing and reception as well as the themes and style of A Clockwork Orange against the backdrop of Kubrick's previous work and of wider developments in cinema, culture and society from the 1950s to the early 1970s.
Mike Goodridge - 2011
With stills, photos from the sets, and in-depth exploration of both iconic and contemporary projects, from Psycho and the French New Wave classic The Week End to Chicago and Zhang Yimou's saga Hero . Get access to lauded professionals, who provide you with the perspective to think like the pros and create compelling visual stories. Apply the perspective you'll gain to your own work with practical tips, or just sit back and coast along this thoughtful, behind-the-scenes road.
Halsted Plays Himself (Semiotext(E) / Native Agents)
William E. Jones - 2011
Plays Itself (1972) was gay porn's first masterpiece: a sexually explicit, autobiographical, experimental film whose New York screening left even Salvador Dalí repeatedly muttering "new information for me." Halsted, a self-taught filmmaker, shot the film over a period of three years in a now-vanished Los Angeles, a city at once rural and sleazy. Although his cultural notoriety at one point equaled that of Kenneth Anger or Jack Smith, Halsted's star waned in the 1980s with the emergence of a more commercial gay-porn industry. After the death from AIDS of his long-time partner, lover, spouse (and tormentor) Joey Yale in 1986, Halsted committed suicide in 1989. In Halsted Plays Himself, acclaimed artist and filmmaker William E. Jones documents his quest to capture the elusive public and private personas of Halsted—to zero in on an identity riddled with contradictions. Jones assembles a narrative of a long-gone gay lifestyle and an extinct Hollywood underground, when independent films were still possible, and the boundary between experimental and pornographic was not yet established. The book also depicts what sexual liberation looked like at a volatile point in time—and what it looked like when it collapsed.
Atomic Cover-Up: Two U.S. Soldiers, Hiroshima & Nagasaki, and The Greatest Movie Never Made
Greg Mitchell - 2011
The cover-up even extended to Hollywood. And there was no WikiLeaks to get the film aired.Mitchell, co-author of the classic "Hiroshima in America" and eleven other books, has written about parts of this story for leading newspapers and magazines, but now tells the full saga, based on new research -- from the Truman Library to Nagasaki.How did this happen? Why? And what did the two military officers, Daniel McGovern and Herbert Sussan, try to do about it, for decades? "Atomic Cover-up" answers all of these questions in a quick-paced but often surprising narrative.
Horror Noire: Blacks in American Horror Films from the 1890s to Present
Robin R. Means Coleman - 2011
In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself.Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre's racialized imagery, as well as the narratives that make up popular culture's commentary on race.Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
Scream Deconstructed: An Unauthorized Analysis
Scott Kessinger - 2011
and written a book about it! Having earned the respect and accolades of critics and audiences, generated more than half a billion dollars in revenue, and inspired a gaggle of imitators, it's safe to say Scream is millions of people's favorite scary movie. While the Scream films have scared and entertained moviegoers worldwide, they've also invited us to closer examine the movies we watch: to deconstruct them. This book aims to do just that.Scream Deconstructed: An Unauthorized Analysis puts all four Scream movies under the knife to examine the meaning, themes and philosophy of the movie series that brought horror back from the dead by breaking all the rules. Take a close look into the heart of this pop culture phenomenon and what its characters - including Sidney, Gale, Dewey, and each film's killer - represent. Find out what reality, film, fantasy, and sex have to do with it all. Scream Deconstructed is sure to please any fan of Scream, horror, or film in general.
Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema
Angela M. Smith - 2011
Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other kinds of marginalized identities, yet Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror, heightened by the viewer's desire for visions of vulnerability and transformation.Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics. She also notes the genre's conflicted and often contradictory visualizations. Smith ultimately locates an indictment of biological determinism in filmmakers' visceral treatments, which take the impossibility of racial improvement and bodily perfection to sensationalistic heights. Playing up the artifice and conventions of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific gaze and the debilitating experience of watching horror. Classic horror films therefore encourage empathy with the disabled monster, offering captive viewers an unsettling encounter with their own impairment. Smith's work profoundly advances cinema and disability studies, in addition to general histories concerning the construction of social and political attitudes toward the Other.
The Art of Puss In Boots
Ramin Zahed - 2011
The aptly titled Puss In Boots finally places the daring feline in the spotlight, telling his tale with the appropriate dose of dramatic bravado. The Art of Puss In Boots is the story of how the filmmakers at DreamWorks Animation approached the ambitious task of crafting a world and backstory colored by Puss's unique personality. This book's wealth of art and commentary conjures up a land full of intrigue, romance, and Latin flair. Populating the swashbuckling adventure is a cast of fellow rogues and fairy-tale characters, including Puss's childhood friend Humpty Dumpty, feline fatale Kitty Softpaws, the outlaw couple Jack and Jill, and a Mamo Goose that you definitely don't want to mess with. The Art of Puss In Boots is a tribute to the hard work and creative talents behind the making of this guapo movie.
Papillon by Henri Charrière Summary & Study Guide
BookRags - 2011
37 pages of summaries and analysis on Papillon by Henri Charriere.This study guide includes the following sections: Plot Summary, Chapter Summaries & Analysis, Characters, Objects/Places, Themes, Style, Quotes, and Topics for Discussion.
Comedy Rules: From the Cambridge Footlights to Yes, Prime Minister
Jonathan Lynn - 2011
Along the way, we meet a cast of luminaries including Leonard Rossiter, John Landis, Nigel Hawthorne, Paul Eddington, Jack Rosenthal and Jonathan's long-time co-writer, Antony Jay. As we travel with him from his first digs in Coventry to the sushi bars of Hollywood, Comedy Rules offers an enlightening journey into the world of comedy and an indispensible companion to the elusive art of its creation.
The Art of Cars 2
Karen Paik - 2011
The Art of Cars 2 follows the development of the second installment in the Cars series, from the first story concepts and the filmmakers' worldwide research to the intricate "carified" details that make up the unique Cars 2 universe. Featuring the behind-the-scenes concept art that went into the film's creation--including color scripts, storyboards, character studies, environmental art, sculpts, and more--as well as a forward by director and racecar-enthusiast John Lasseter, The Art of Cars 2 celebrates the art and intrigue of this amazing new Pixar film.
The World History of Animation
Stephen Cavalier - 2011
From its earliest days, animation has developed multiple iterations and created myriad dynamic styles, innovative techniques, iconic characters, and memorable stories. Stephen Cavalier’s comprehensive account is organized chronologically and covers pioneers, feature films, television programs, digital films, games, independent films, and the web. An exhaustive time line of films and innovations acts as the narrative backbone, and must-see films are listed along with synopses and in-depth biographies of individuals and studios. The book explains the evolution of animation techniques, from rotoscoping to refinements of cel techniques, direct film, claymation, and more. A true global survey, The World History of Animation is an exciting and inspirational journey through the large and still-expanding animation universe—a place as limitless as the human imagination.• A comprehensive international history of animation, featuring all genres,styles, media, and techniques• Features film, television, and web-based animation• Illustrated in full color throughout• Includes comprehensive biographies of leading practitioners
Everything is an Afterthought
Paul Nelson - 2011
During a five-year detour at Mercury Records in the early 1970s, Nelson signed the New York Dolls to their first recording contract, then settled back down to writing criticism at ROLLING STONE as the last in a great tradition of record-review editors that included Jon Landau, Dave Marsh, and Greil Marcus. Famously championing the early careers of artists like Bruce Springsteen, Jackson Browne, Rod Stewart, Neil Young, and Warren Zevon, Nelson not only wrote about them but often befriended them. Never one to be pigeonholed, he was also one of punk rock’s first stateside mainstream proponents, embracing the Sex Pistols and the Ramones. But in 1982, he walked away from it all — ROLLING STONE, his friends, and rock & roll. By the time he died in his New York City apartment in 2006 at the age of seventy — a week passing before anybody discovered his body — almost everything he’d written had been relegated to back issues of old music magazines. How could a man whose writing had been so highly regarded have fallen so quickly from our collective memory? With Paul Nelson’s posthumous blessing, Kevin Avery spent four years researching and writing EVERYTHING IS AN AFTERTHOUGHT: THE LIFE AND WRITINGS OF PAUL NELSONN. This unique anthology-biography compiles Nelson’s best works (some of it previously unpublished) while also providing a vivid account of his private and public lives. Avery interviewed almost 100 of Paul Nelson’s friends, family, and colleagues, including several of the artists about whom he’d written. Bruce Springsteen says, “He is somebody who played a very essential part in that creative moment when I was there trying to establish what I was doing and what I wanted our band to be about.” This is a landmark work of cultural revival, a tribute to and collection by one of the unsung critical champions of popular art. Black-and-white illustrations and photographs throughout.[Please note: There are listings online for a Feral House edition of this title, which was never published. The Fantagraphics edition is not only the preferred edition, it's the only edition.]
Picturing Tolkien: Essays on Peter Jackson's the Lord of the Rings Film Trilogy
Janice M. Bogstad - 2011
Tolkien's Lord of the Rings trilogy: The Fellowship of the Ring (2001), The Two Towers (2002) and The Return of the King (2003). Part One of the collection, "Techniques of Structure and Story," compares and contrasts the organizational principles of the books and films. Part Two, "Techniques of Character and Culture," focuses on the methods used to transform the characters and settings of Tolkien's narrative into the personalities and places visualized on screen. Each of the sixteen essays includes extensive notes and a separate bibliography. Instructors considering this book for use in a course may request an examination copy here.
Cult Cinema: An Introduction
Ernest Mathijs - 2011
Cult Cinema: An Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including its primary audiences, myriad genres, and the theoretical perspectives that inform a film's "cult" status. After addressing the well-known aspects of cult cinema -- midnight movies, exploitation films, fans of various cult subgenres, issues of censorship, cult-film festivals, and fanzines -- the authors unravel many of cult cinema's deeper mysteries, tackling such issues as representations of gender, transgression, subcultures, and meta-cults (cult movies about cult movies).Topics are presented in sections that are organized thematically around issues relating to reception, aesthetics, and theories. Individual chapters are accompanied by insightful analysis of notable films, including such cult classics as The Rocky Horror Picture Show, Donnie Darko, Blade Runner, Plan 9 From Outer Space, El Topo, Eraserhead, Suspiria, and many others. For cinephiles and scholars alike, Cult Cinema: An Introduction is the ticket to the most complete source of information about a fascinating phenomenon in the history of film.
In Lonely Places: Film Noir Beyond the City
Imogen Sara Smith - 2011
Through detailed readings of more than 100 films set in suburbs, small towns, on the road, in the desert, borderlands and the vast, empty West, the author investigates the alienation expressed by film noir, pinpointing its motivation in the conflict between desires for escape, autonomy and freedom--and fears of loneliness, exile and dissolution. Through such films as Out of the Past, They Live by Night and A Touch of Evil, this critical study examines how film noir reflected radical changes in the physical and social landscapes of postwar America, defining the genre's contribution to the eternal debate between the values of individualism and community.
Expanded Cinema. Art Performance Film
A.L. Rees - 2011
While video in museums has received considerable attention, experiments beyond the exhibition space have not. Here, leading scholars trace expanded and multiscreen cinema from its origins in early abstract film and the Bauhaus era to postwar happenings and live events in Europe and the United States, the first multimedia experiments of the 1960s, and the fusion of multiscreen art with sonic art and music from the 1970s onward. With new perspectives on American pioneers such as Carolee Schneemann and Stan Vanderbeek, this thought-provoking book goes on to explore the influence of video art on new media technologies.
Carrie: Studies in the Horror Film
Joe Aisenberg - 2011
Joe Aisenberg's dissection of Carrie is, amazingly, the first book-length critical study on this film ever released. In fact, so little has been written on Carrie in a critical fashion that Joe found, to his delight and horror, that he had the field pretty much all to himself. He has conducted new interviews with Brian DePalma, screenwriter Lawrence D. Cohen, and cast members, including cult legend P.J. Soles, with an in-depth analysis of plot and influence.
It Came From the 1950s!: Popular Culture, Popular Anxieties
Darryl Jones - 2011
The essays explore the emergence of "Hammer Horror" and the company's groundbreaking 1958 adaptation of Dracula; the work of popular authors such as Shirley Jackson and Robert Bloch, and the effect that 50s food advertisements had upon the poetry of Sylvia Plath; the place of special effects in the decade's science fiction films; and 1950s Anglo-American relations as refracted through the prism of the 1957 film Night of the Demon.
Cinema: The Whole Story
Philip Kemp - 2011
It places the burgeoning world of cinema in the context of social and cultural developments that have taken place since its beginnings. Organized chronologically, the book traces the evolution of cinematic development, from the earliest days of film projection to the multiscreen cinemas and super-technology of today. Illustrated, in-depth text charts every genre of cinema, from the first silent films to epic blockbusters, CGI graphics and groundbreaking effects of the 21st century. Cinema: The Whole Story is an indispensable book for all those who love watching and reading about films and who want to understand more about the world of cinema.
Sex, Drugs, Rock & Roll, and Musicals
Scott Miller - 2011
Sex, Drugs, Rock & Roll, and Musicals shows how American culture has changed over the twentieth century, from the Roaring Twenties (The Wild Party) to the cultural chaos of the '50s (Grease) and the sexual revolution of the '60s (Hair) and '70s (Rocky Horror), to the rebirth of the art form in the '90s (Bat Boy), and up to the present, exploring where we've been and where we might be heading. This is a celebration of the counter-culture taking center stage in the most American of performing arts, and changing it forever.
Out of Time: Desire in Atemporal Cinema
Todd McGowan - 2011
Linking developments in cinema to current debates within philosophy, McGowan claims that films that change the viewer’s relation to time constitute a new cinematic mode: atemporal cinema. In atemporal cinema, formal distortions of time introduce spectators to an alternative way of experiencing existence in time—or, more exactly, a way of experiencing existence out of time. McGowan draws on contemporary psychoanalysis, particularly Jacques Lacan, to argue that atemporal cinema unfolds according to the logic of the psychoanalytic notion of the drive rather than that of desire, which has conventionally been the guiding concept of psychoanalytic film studies. Despite their thematic diversity, these films distort chronological time with a shared motivation: to reveal the logic of repetition. Like psychoanalysis, McGowan contends, the atemporal mode locates enjoyment in the embrace of repetition rather than in the search for the new and different.
Secure Immaturity: A Nostalgia-Crushing Journey Through Film
William Johnson - 2011
Films reviewed include 1992's breathtaking masterpiece of offensive virtual reality The Lawnmower Man, the sparkled vampire spectacle Twilight: New Moon, the manly manliness of the ever-manly film Predator, the crime against humanity that is Aliens vs. Predator: Requiem, the poster film for nihilism, Rambo, and many more.
Architecture and Science-Fiction Film: Philip K. Dick and the Spectacle of Home
David T. Fortin - 2011
However, while similarities and crossovers between architecture and SF have proliferated throughout the past century, the home is often overshadowed by the spectacle of 'otherness'. The study of the familiar (home) within the alien (SF) creates a unique cultural lens through which to reflect on our current architectural condition. SF has always been linked with alienation; however, the conditions of such alienation, and hence notions of home, have evidently changed. There is often a perceived comprehension of the familiar that atrophies the inquisitive and interpretive processes commonly activated when confronting the unfamiliar. Thus, by utilizing the estranging qualities of SF to look at a concept inherently linked to its perceived opposite - the home - a unique critical analysis with particular relevance for contemporary architecture is made possible.
Horror Films of the 1990s
John Kenneth Muir - 2011
The horror genre's trends and cliches are connected to social and cultural phenomena, such as Y2K fears and the Los Angeles riots. Popular films were about serial killers, aliens, conspiracies, and sinister "interlopers," new monsters who shambled their way into havoc. Each of the films is discussed at length with detailed credits and critical commentary. There are six appendices: 1990s cliches and conventions, 1990s hall of fame, memorable ad lines, movie references in Scream, 1990s horrors vs. The X-Files, and the decade's ten best. Fully indexed, 224 photographs.
Queer Pollen: White Seduction, Black Male Homosexuality, and the Cinematic
David A. Gerstner - 2011
David A. Gerstner elucidates the complexities in expressing queer black desire through traditional art forms such as painting, poetry, and literary prose, or in the industrial medium of cinema. This challenge is made particularly sharp when the terms "black" and "homosexuality" come freighted with white ideological conceptualizations. Gerstner adroitly demonstrates how Nugent, Baldwin, and Riggs interrogated the seductive power and saturation of white queer cultures, grasping the deceit of an entrenched cultural logic that defined their identity and their desire in terms of whiteness. Their work confounds the notion of foundational origins that prescribe the limits of homosexual and racial desire, perversely refusing the cordoned-off classifications assigned to the "homosexual" and the "raced" body. Queer Pollen articulates a cinematic aesthetic that unfolds through painting, poetry, dance, novels, film, and video that marks the queer black body in relation to matters of race, gender, sexuality, nation, and death.
Media Archaeology: Approaches, Applications, and Implications
Erkki Huhtamo - 2011
Edited by Erkki Huhtamo and Jussi Parikka, with contributions from internationally prominent scholars from Europe, North America, and Japan, the essays help us understand how the media that predate today’s interactive, digital forms were in their time contested, adopted and embedded in the everyday. Providing a broad overview of the many historical and theoretical facets of Media Archaeology as an emerging field, the book encourages discussion by presenting a full range of different voices. By revisiting ‘old’ or even ‘dead’ media, it provides a richer horizon for understanding ‘new’ media in their complex and often contradictory roles in contemporary society and culture.